Top Chef ™ Destination Canada
Season:
Week:
Best Served Cold

In a tribute to ice hockey, the chefs were asked to create dishes best served cold. Prior to the cook, the contestants chose one of seven cloches, each concealing an ingredient associated with an ice hockey term or slang word that they were required to incorporate into their dish: biscuit, apple, muffin, egg, grapefruit, licorice knob, or peanut butter.

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Dishes prepared in
Top Chef ™ Destination Canada

Cesar: "I left the licorice root to steep overnight. With cold dishes, you need to up the intensity of certain ingredients for them to actually come out. That adds more pressure to this dish. Steeping it overnight worked well."
Presenting to Judges
"I did a chilled shrimp salad. It's got licorice tea, as well as licorice cream, cucumber, mandarin segments, and some fresh garnishes."

Corwin: "Grabbing Granny Smith's - whole lot of them - might make a granita, Might make a sorbet. Cold food preparations can be difficult for one main reason. Seasoning. So I'm thinking big, bold flavors. I'd like an Asian Caribbean feel on this plate. I want to get yuzu ponzu, white soy, scotch bonnet."
Later .... Corwin: "I'm feeling good. I'm going for color. Since I'm using Granny Smith, I want this dish to be green. And I'm gonna use Scotch bonnet. The Scotch bonnet is to infuse Caribbean products into the dish. So it's like this is a Chef Corwin dish."
Presenting to Judges
Corwin: "My ingredient was an apple. I decided to make scallop and apple aguachile. And then variations of apples in as many ways as I could possibly think. So you have compressed, pickled, raw, diced, aguachile, apple ponzu. There's also an apple gel on the plate as well."
Judge: "I like the heat to that. What's the heat in the aguachile?"
Corwin: "Scotch bonnet"
Our version of the Apple Ponzu that Corwin included is here.

Presenting to Judges
"I made you a grapefruit leche de tigre with a charred avocado marinated in grapefruit juice. I cured the salmon with grapefruit zest, and then made a grapefruit sorbet."

Kat: "I got grapefruit. Grapefruit is an inherently bitter citrus, and I just want to make a nice scallop tartare. One of my favorite drinks is a paloma. I'm going to make an agua chile with mezcal based on the paloma cocktail."
Presenting to Judges
"I made a grapefruit and scallop tartare, an aguachile inspired by a spicy mezcal paloma, and then grapefruit mousse snow on top."

Katianna: "I haven't worked with licorice knob. I don't know how strong it is. So I'm going to get some licorice candy as well as some Pernod, which is a licorice liqueur."
Later ... Katianna: "There's not much flavor. It's kind of hard to get it out. The licorice root is not very flavorful. I'm really struggling to extract some flavor from this licorice root. I really need to take a look at the candy and the liqueur I bought and decide how I'm going to incorporate those. I have candy. I'm glad I got it. I'm going to use the candy and try to make a vinaigrette."
Later still ... "Does my dish taste like licorice? As I toss the cucumbers and the sauerkraut with this licorice vinaigrette, it's getting lost again. It didn't really release a lot of flavor. I decide to reduce some Pernod licorice liqueur, and dress my noodles with it for some extra Licorice flavor."
Presenting to Judges
"This is a chilled chicken and licorice soba with cucumber and daikon. I made a broth with chicken and the licorice root, and the noodles are tossed in a reduced pernod."

Presenting to the Judges
"So I have a chilled peanut soup with pickled shrimp and asuya oil. Candied peanuts as well.

Massimo: "We're going muffin everywhere. Muffin Cremer, muffin spicyos, Muffin. Cigarette twills. I thought I could get a beautiful muffin flavored ice cream out of infusing muffins.
Later ... Massimo: "Soap goes into my batter. I can no longer make my muffin cigarette tuilles. I'll keep going with the muffin ice cream. Salted muffin ice cream. That's okay, though. I think I have enough muffin components to be able to pull off successfully my dish. You know what? This ice cream tastes like muffins."
Later still ... Massimo: "With 27 minutes remaining, I see that the ice cream is far away from freezing. This did not work. I may have to do an ice cream with liquid nitrogen. I've never made liquid nitrogen ice cream, but I have no choice."
Presenting to the Judges
"So there is a banana muffin cremeux, a chocolate muffin ganache, a speculous tuille, a meringue, and a roasted muffin and banana ice cream. It's not that easy to make ice cream with liquid nitrogen."
Tom Colicchio: "See, if you were smart about this, you wouldn't tell us it was an ice cream. You would say it's créme anglaise.".

Paula: "One of my favorite ceviches back in Ecuador is called ceviche jipijapa. The broth is very peanut forward and very intense. For this dish, I want to make sure that peanut is still there, but it's nice and balanced."
Later ... Paula: "I want to add some more broth, because the ceviches back at home are more brothy. I'm happy with this. I'm excited just to share a little sneak peek of Ecuador."
Presenting to the Judges
"Since we got peanut butter as an ingredient, I decided to do a ceviche Jipijapa. It's a very traditional ceviche from the province of Manabi and my country, where the broth is based on peanuts, a sable fish with a cucumber tartare, avocado cream, and some fried quinoa as well."

Shuai: "I really love grapefruit a lot. Hardest part about serving cold dishes is that salinity, acidity, even sweetness changes when it's cold. You have to adjust that accordingly."
Shuai: " I really do enjoy semifreddo. If you don't know how to make ice cream, you make semifreddo."
Presenting to Judges
"Today I made a sweetcorn semifreddo with a sweet potato mochi, a cardamom creme anglaise, ginger graham cracker, and meringue."
Kristen Kish: "Shuai, are you normally a dessert person?"
Shuai: "I am terrible"

Tristen: "So I got some dry, aged beef. I just kind of want to celebrate the egg a little bit in a couple different ways, so the tartare is a cool vehicle for it."
Presenting to Judges
"I really wanted to celebrate egg. So you have a dry aged beef tartare with New York strip, some crispy potato chips, and then on top, you have four different egg preparations: Garlic toum; shadow beni aioli; egg yolk jam, and then shattered deviled egg filling."

Vinny: "Ooh, biscuits. As much as you want to eat them and enjoy them fresh out of the oven, piping hot, that's not what the challenge is. I think I can make strawberry shortcake into an even colder dish, incorporate some ice cream. I do love some ice cream, that's for damn sure."
Presenting to Judges
Vinny: "My ingredient was a biscuit. I encourage you to go ahead and "break the ice". Pun intended. So just go ahead and break the tuile on top. So I did a play on a strawberry shortcake. So I have a biscuit infused soft served ice cream, fresh strawberries, a strawberry soda, some chunks of biscuit."

Zubair: "I am super glad that I have immunity. I have a blueberry muffin because I love sweet and savory. I'm going to dehydrate them and make them into a crumble on my crudo."
Presenting to the Judges
Zubair: :" I made for you King Salmon crudo with a fennel jalapeno achar, and a little lemongrass gel on top with a buttermilk broth called chaas."
Kristen Kish: "Zubair, your muffin is just incorporated in the top crumble?"
Zubair: "Yes"

Anya: "I'm starting ice cream. When I think of cold and egg, I think ice cream and cake. I want to infuse it with pine needles. We'll find out if it tastes good in ice cream. I make essentially a creme anglaise and add pine needle powder. I wanted to make things from the forest and the fields."
"I also want to use sea buckthorn. It's just such a beautiful berry that I want to highlight. I only have dehydrated sea buckthorn powder, and I think I'll experiment and throw it in the cake."
Later ... Anya: "My ice cream, it's not as cold as I need it to be. The risk with ice cream still being hot is that when it freezes, it would just become a brick. When the cake comes out of the oven, it's a brick. So I'm now concerned that my ice cream's gonna be a brick and my cake is a brick. Gotta get through it. I'm honestly just freaking out, but at this point, there's no time to fix it."
Later still ... Anya: "I feel really anxious about my dish. The ice cream is too hard. I must melt my ice cream and then refreeze it to make it fluffy. And I have to redo the cake so it's lighter. I'm going to use less flour. At this point, I'm not thinking. I'm just reacting."
Just before serving: "My ice cream, it is really soft. And the new cake is too hard. I do not want to take this dish to the judges."
Presenting to Judges
"I made a soft serve pine needle ice cream on top of pine needle crumble, beet powder and sea buckthorn cake."
Culinary Challenges inspired by
Top Chef ™ Destination Canada

One of the keys to perfect scallops is ensuring they are completely dry before searing. Pat them with paper towels and let them sit uncovered in the refrigerator for 30 minutes if possible.

Professional sauce consistency comes from proper reduction ratios and butter mounting technique. The base liquid should reduce by half to concentrate flavors appropriately. Mounting with cold butter (monter au beurre) creates glossy finish and rich mouthfeel while helping bind the sauce. Add cold butter cubes one at a time off heat, whisking constantly to create stable emulsion. This technique gives restaurant-quality sheen and silky texture. The finished sauce should coat a spoon lightly but flow freely. If too thick, thin with warm stock; if too thin, reduce further or mount with additional butter.



Cesar's original arctic char tartare suffered from judges noting it needed some acidity to cut through that sweetness, demonstrating how critical acid balance is when working with rich fatty fish like arctic char or salmon. Raw fish preparations require aggressive acidity to cut through the natural oils and richness of the fish, prevent the dish from feeling heavy or cloying on the palate, and provide brightness that makes flavors pop rather than muddle together. The correction to Cesar's dish involved dramatically increasing the acidic components in the accompanying salsa by boosting lemon juice from 1-2 tablespoons to 3 tablespoons and adding 2 tablespoons of white wine vinegar that wasn't in the original recipe. This dual acid approach works because lemon provides bright citrus notes while vinegar adds sharper cutting power, creating layered acidity that maintains brightness throughout the eating experience. When working with fatty fish like arctic char, salmon, or tuna in raw preparations, aim for about 1 tablespoon of acid per 4 ounces of fish when the acid is incorporated directly, or provide generous acidic accompaniments on the side that guests can apply liberally. The phrase keeping it bright keeping it acidic should guide your approach to these dishes. Additional techniques for proper acid balance include incorporating capers or pickled elements for briny acidity, using fresh herbs like dill and cilantro which have natural brightness, adding mustard which provides both acidity and emulsification, and avoiding sweet components like romaine puree or sweet custards that compete with the savory fish profile. Judges explicitly stated preference for sweets after the fish course, reinforcing that savory fish preparations should remain decidedly savory with acid as the primary counterpoint to richness rather than sweetness. When tasting your dish, if it feels heavy, coating your mouth, or lacking vibrancy, you need more acid. The fish should taste clean, bright, and refreshing rather than rich and heavy.

Cesar's fish tuiles were critiqued as somewhat burnt and inconsistently cooked, two common problems when making delicate crisp garnishes that require precise temperature control and even spreading technique. Tuiles are paper-thin baked items made from batters spread very thinly that must cook evenly throughout without burning, requiring careful attention to oven temperature, batter consistency, spreading technique, and timing. The key correction for fish tuiles involves lowering oven temperature to 325°F instead of the more common 350°F or higher, which gives you wider margin for error and allows tuiles to dry out and crisp without burning. Fish-based tuiles are particularly prone to burning because the proteins brown quickly and the fat content can cause hot spots. To achieve consistent cooking throughout each tuile, the batter must be spread to absolutely uniform thickness of about 1/16-inch using offset spatula with steady even pressure, creating shapes that are the same thickness at edges as in the center. Inconsistent thickness is the primary cause of inconsistent cooking where edges burn before centers crisp. Use silicone baking mats rather than parchment paper for more even heat distribution and easier release. Rotate the baking sheet halfway through cooking to compensate for any hot spots in your oven. Watch tuiles carefully through oven window during final minutes of baking without opening door, as they go from perfectly golden to burnt in seconds. Properly cooked tuiles should be uniformly golden with crisp texture throughout and translucent appearance without any dark brown or black spots. If tuiles are browning too quickly around edges, immediately lower temperature by 25°F. Cool tuiles completely on the baking sheet before attempting to remove them, as warm tuiles are flexible and will tear while properly cooled tuiles are rigid and release cleanly. Store finished tuiles in airtight container with parchment between layers to prevent humidity from making them soft, and remake them if they lose their crispness as there is no way to re-crisp fish tuiles once they've absorbed moisture.

A critical technical failure in Cesar's dish was that oil from tuile melted with custard and failed to bring everything together, demonstrating how oil migration can ruin carefully constructed layered presentations. This problem occurs when components at different temperatures or with different fat contents come into contact, causing oils to leach out and create greasy pools rather than cohesive layers. The fish tuile likely contained residual oil from the fish itself or from underbaking, and when placed on or near the warm custard, this oil melted and migrated throughout the dish creating an unpleasant slick rather than bringing components together as intended. Multiple strategies address this oil migration issue. First, ensure tuiles are completely cool to room temperature before placing them on or near other components, as warm tuiles will release oils more readily. Second, tuiles should be fully baked until completely crisp and dry with no oily appearance on the surface; if they look shiny or oily after baking, they are underbaked and will continue releasing oil. Third, consider component placement carefully by positioning oily or fatty elements away from direct contact with other components, using the tuile as a side garnish rather than a top layer, or serving it separately for guests to break and incorporate themselves. Fourth, ensure custard layer is completely chilled and set rather than warm, as warm custard will accelerate oil release from tuile. Fifth, if using fatty fish in tuiles, consider patting the raw fish with paper towels before processing to remove excess surface oils, or use leaner fish varieties like cod instead of oilier options. The phrase failed to bring everything together indicates the oil was meant to act as a binder but instead became a separator, which happens when there is too much oil or it is released at the wrong time. In properly executed layered presentations, small amounts of quality oil can help components cohere by providing richness and mouthfeel, but excessive oil or oil released at wrong stage creates greasiness that judges will notice immediately. Always consider temperature management and component compatibility when designing vertically stacked or layered presentations.

Achieving Tom's praised "beautifully cooked" chicken requires mastering spatchcocking technique for uniform heat distribution and crispy skin throughout. Use sharp kitchen shears to cut along both sides of backbone, removing it completely. Flip chicken breast-side up and press firmly on breastbone until it cracks and lays flat. Season generously under and over skin, working crushed fennel seeds into skin for maximum flavor penetration. Rest 30 minutes at room temperature before roasting to ensure even cooking. The flattened bird cooks faster and more evenly than whole roasting, preventing overcooked breast meat while ensuring thighs reach proper temperature. Crispy skin results from even heat exposure across entire surface.

Developing silky, restaurant-quality vegetable purees requires proper cooking technique and finishing methods for professional results. Cook carrots until completely tender - they should fall apart when pierced with fork. Over-cooking is better than under-cooking for smooth texture. Process in food processor with flavor enhancers (miso adds umami depth) and fat (butter provides richness and mouthfeel). Add liquid gradually - too much creates thin, watery puree while too little creates gluey texture. Pass through fine-mesh sieve to remove any remaining fibers for ultimate smoothness. The finished puree should coat a spoon but flow easily for elegant plating. Proper seasoning balance enhances natural sweetness while miso adds complexity.

Achieving the nutty depth that judges praised requires understanding brown butter stages and proper timing to prevent burning. Heat butter over medium heat, stirring constantly as it melts, foams, and begins to turn golden. Watch for color change from yellow to amber and listen for crackling sounds as water evaporates. The butter is ready when it smells nutty and toasted with brown bits (beurre noisette) visible at bottom. Remove from heat immediately - residual heat continues cooking. Cool slightly before adding other ingredients to prevent curdling. Brown butter adds complex, nutty flavor that elevates simple ingredients. Use immediately for sauces and vinaigrettes, or store refrigerated and reheat gently. The technique transforms ordinary butter into sophisticated flavor base.

Achieving the judge-praised visible layers in scallion pancakes requires proper technique and understanding of lamination principles. Start with properly hydrated dough that's pliable but not sticky - boiling water creates the right texture while oil adds workability. The key is in the rolling and folding sequence: brush each rolled circle generously with sesame oil and sprinkle evenly with chopped scallions before rolling into a tight log. Coiling the log into a spiral and then re-rolling creates the laminated structure that produces distinct, visible layers when cooked. Rest periods are crucial - they allow gluten to relax for easier rolling and help oil distribute evenly. When cooking, medium heat allows layers to puff slightly while developing golden color. The final result should show clear stratification that impressed the Top Chef judges.

Creating 'reserved seasoning' that doesn't overwhelm requires understanding how different spices contribute heat and flavor. Ground Szechuan peppercorns provide unique numbing sensation rather than burning heat - use sparingly as their effect builds over time. Cumin should be the dominant flavor, providing earthiness without excessive heat. Red chili flakes add brightness but can quickly overpower - start with less than you think you need. The key is building flavor in layers: bloom spices in hot oil to release aromatics, taste as you go, and remember that heat intensifies as dish sits. Shuai's success came from restraint - allowing each spice to contribute without any single element dominating. This responsible approach lets diners appreciate complexity while ensuring broad appeal.
Best dishes in this challenge
Top Chef ™ Destination Canada
Worst dishes in this week of
Top Chef ™ Destination Canada
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