Top Chef ™ Destination Canada
Season:
Week:
Restaurant Wars

Kristen Kish: "For this week, we have James Beard award winner, executive chef and owner of Compre Le Pen, Nina Compton. We also have Toronto native restaurateur and Top Chef Canada judge Janet Zuccharini. There's a very good reason that these two are your guest judges this week. Welcome to Restaurant Wars."

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Dishes prepared in
Top Chef ™ Destination Canada

For the third course, Paula is making a walnut torta with tres leches.
Paula: "My cake is the last thing I'm getting into. It's just walnuts, eggs, and sugar. I think that the judges will like it. I'm experimenting right now. I have done tres leches itself and torta noci itself, but I have never married them."

For the third course, Cesar is making a churro with a pistachio creme.
Presenting to the judges: "This is just a little churro dusted with a little sugar, cinnamon, ground pistachios, and then a pistachio creme anglaise on the side."

Tristen (planning): "Lana will be doing cured and smoked steelhead trout with collard green pot liquor consomme."
Lana: "I really want to do this potlikker consommé. For my ancestors, a lot of black American slaves, pot liquor was sometimes all they had to eat. So I'm using techniques that I've learned at all of these Michelin starred restaurants to make this dish sing. I need to get the smoked ham hock."
Lana (working on the trout): "We're just gonna give them a light cure. Tomorrow, we'll give them a light smoke."
Lana asks Tristen to taste the potlikker consommé. Tristen: "More seasoning. More salt. More acid. Especially because you're going to clarify it, which is going to rip some flavor. So over season."
Presenting to the judges: "So this is going to be your first course this evening. Cured and smoked trout and then a pot liquor consomme. Just a little bit of chiffonade, collard greens, and crispy trout skin."

Tristen (planning): "I'm just going to make a little mushroom stock. I'll be in charge of the first course doing a mushroom escovitch. I'm going to use a little bit of African flavor using some dawadawa. Think of it like African umami."
Presenting to the judges: "As part of your first course, I did a mushroom escovitch, grilled Ontario mushrooms, A little ajo blanco at the bottom. And then the broth is made from Dawadawa and then some beautiful bay scallops in there as well. So we're veg forward with a little essence of land and sea as supporting cast."

Cannelloni al Forno with Toasted Pepitas and Almond Romesco

Shuai (planning) : "For the first course, I am making a fritta de mare using shrimp, octopus, squid alongside aquachile. So you have both Italian and Latin flavors."

Paula: "For the first course, we have chipotle chorizo arancini executed by Bailey. It's the perfect marriage between Italian and Latin American cuisine."
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Cesar: "Second course, we're doing braised short rib with polenta, some ancho peppers. I just wanted something nice and homey and braisey. Put some nice spices to it."

Massimo: "For the third course, we have the option of either my corn cremeux with a corn cob ice cream, grilled blueberry condiment, and a blueberry crisp or Tristan's milk chocolate custard with Ontario parsnip and chocolate soil."
Presenting to Judges: "We have a corn cremeux with a corn ice cream, some grilled blueberries, and a crisp of blueberries. Please go ahead and break the crisp with energy and eat in harmony."

Lana (planning): "I think we should play around with the idea of, like, making a terrine. We could do a pithivier."
Lana (later) : "I'm making truffle, potato and celery root pithivier. Honestly, this is going to be really nice. Pithivier is basically like a meat pie, but I'm making it completely vegetarian on the inside. Then we're going to put a really rich lamb jus with it."
Presenting to judges: "I made the pothivier with potato, celery root, truffle, and then the sauce on the side is lamb jus."

Tristen (planning): "I don't mind doing a vegetable for dessert. Chocolate custard. I'm still coming up with the veg. Probably parsnips."
Presenting to Judges: "Just for a little bit of decadence ... on the bottom, this is a chocolate custard. On top is dirt chocolate, as I call it, parsnip caramelized with some sherry vinegar for a touch of acidity and to bring that vegetable forward. Please enjoy."

For the second course, Vinny is making a squash dish with pork tenderloin and xo sauce.
Vinny (preparing his dish): "Butternut squash, kind of confited in some brown butter, lemon oil and some thyme aguachile.
Presenting to Judges: "I made you a confit butternut squash. I served it with some grilled pork, an xo condiment in a sauce of butternut. Obviously, we were veg forward. We still want to be able to give you a little bit of protein."
Culinary Challenges inspired by
Top Chef ™ Destination Canada

One of the keys to perfect scallops is ensuring they are completely dry before searing. Pat them with paper towels and let them sit uncovered in the refrigerator for 30 minutes if possible.

Professional sauce consistency comes from proper reduction ratios and butter mounting technique. The base liquid should reduce by half to concentrate flavors appropriately. Mounting with cold butter (monter au beurre) creates glossy finish and rich mouthfeel while helping bind the sauce. Add cold butter cubes one at a time off heat, whisking constantly to create stable emulsion. This technique gives restaurant-quality sheen and silky texture. The finished sauce should coat a spoon lightly but flow freely. If too thick, thin with warm stock; if too thin, reduce further or mount with additional butter.



Cesar's original arctic char tartare suffered from judges noting it needed some acidity to cut through that sweetness, demonstrating how critical acid balance is when working with rich fatty fish like arctic char or salmon. Raw fish preparations require aggressive acidity to cut through the natural oils and richness of the fish, prevent the dish from feeling heavy or cloying on the palate, and provide brightness that makes flavors pop rather than muddle together. The correction to Cesar's dish involved dramatically increasing the acidic components in the accompanying salsa by boosting lemon juice from 1-2 tablespoons to 3 tablespoons and adding 2 tablespoons of white wine vinegar that wasn't in the original recipe. This dual acid approach works because lemon provides bright citrus notes while vinegar adds sharper cutting power, creating layered acidity that maintains brightness throughout the eating experience. When working with fatty fish like arctic char, salmon, or tuna in raw preparations, aim for about 1 tablespoon of acid per 4 ounces of fish when the acid is incorporated directly, or provide generous acidic accompaniments on the side that guests can apply liberally. The phrase keeping it bright keeping it acidic should guide your approach to these dishes. Additional techniques for proper acid balance include incorporating capers or pickled elements for briny acidity, using fresh herbs like dill and cilantro which have natural brightness, adding mustard which provides both acidity and emulsification, and avoiding sweet components like romaine puree or sweet custards that compete with the savory fish profile. Judges explicitly stated preference for sweets after the fish course, reinforcing that savory fish preparations should remain decidedly savory with acid as the primary counterpoint to richness rather than sweetness. When tasting your dish, if it feels heavy, coating your mouth, or lacking vibrancy, you need more acid. The fish should taste clean, bright, and refreshing rather than rich and heavy.

Cesar's fish tuiles were critiqued as somewhat burnt and inconsistently cooked, two common problems when making delicate crisp garnishes that require precise temperature control and even spreading technique. Tuiles are paper-thin baked items made from batters spread very thinly that must cook evenly throughout without burning, requiring careful attention to oven temperature, batter consistency, spreading technique, and timing. The key correction for fish tuiles involves lowering oven temperature to 325°F instead of the more common 350°F or higher, which gives you wider margin for error and allows tuiles to dry out and crisp without burning. Fish-based tuiles are particularly prone to burning because the proteins brown quickly and the fat content can cause hot spots. To achieve consistent cooking throughout each tuile, the batter must be spread to absolutely uniform thickness of about 1/16-inch using offset spatula with steady even pressure, creating shapes that are the same thickness at edges as in the center. Inconsistent thickness is the primary cause of inconsistent cooking where edges burn before centers crisp. Use silicone baking mats rather than parchment paper for more even heat distribution and easier release. Rotate the baking sheet halfway through cooking to compensate for any hot spots in your oven. Watch tuiles carefully through oven window during final minutes of baking without opening door, as they go from perfectly golden to burnt in seconds. Properly cooked tuiles should be uniformly golden with crisp texture throughout and translucent appearance without any dark brown or black spots. If tuiles are browning too quickly around edges, immediately lower temperature by 25°F. Cool tuiles completely on the baking sheet before attempting to remove them, as warm tuiles are flexible and will tear while properly cooled tuiles are rigid and release cleanly. Store finished tuiles in airtight container with parchment between layers to prevent humidity from making them soft, and remake them if they lose their crispness as there is no way to re-crisp fish tuiles once they've absorbed moisture.

A critical technical failure in Cesar's dish was that oil from tuile melted with custard and failed to bring everything together, demonstrating how oil migration can ruin carefully constructed layered presentations. This problem occurs when components at different temperatures or with different fat contents come into contact, causing oils to leach out and create greasy pools rather than cohesive layers. The fish tuile likely contained residual oil from the fish itself or from underbaking, and when placed on or near the warm custard, this oil melted and migrated throughout the dish creating an unpleasant slick rather than bringing components together as intended. Multiple strategies address this oil migration issue. First, ensure tuiles are completely cool to room temperature before placing them on or near other components, as warm tuiles will release oils more readily. Second, tuiles should be fully baked until completely crisp and dry with no oily appearance on the surface; if they look shiny or oily after baking, they are underbaked and will continue releasing oil. Third, consider component placement carefully by positioning oily or fatty elements away from direct contact with other components, using the tuile as a side garnish rather than a top layer, or serving it separately for guests to break and incorporate themselves. Fourth, ensure custard layer is completely chilled and set rather than warm, as warm custard will accelerate oil release from tuile. Fifth, if using fatty fish in tuiles, consider patting the raw fish with paper towels before processing to remove excess surface oils, or use leaner fish varieties like cod instead of oilier options. The phrase failed to bring everything together indicates the oil was meant to act as a binder but instead became a separator, which happens when there is too much oil or it is released at the wrong time. In properly executed layered presentations, small amounts of quality oil can help components cohere by providing richness and mouthfeel, but excessive oil or oil released at wrong stage creates greasiness that judges will notice immediately. Always consider temperature management and component compatibility when designing vertically stacked or layered presentations.

Achieving Tom's praised "beautifully cooked" chicken requires mastering spatchcocking technique for uniform heat distribution and crispy skin throughout. Use sharp kitchen shears to cut along both sides of backbone, removing it completely. Flip chicken breast-side up and press firmly on breastbone until it cracks and lays flat. Season generously under and over skin, working crushed fennel seeds into skin for maximum flavor penetration. Rest 30 minutes at room temperature before roasting to ensure even cooking. The flattened bird cooks faster and more evenly than whole roasting, preventing overcooked breast meat while ensuring thighs reach proper temperature. Crispy skin results from even heat exposure across entire surface.

Developing silky, restaurant-quality vegetable purees requires proper cooking technique and finishing methods for professional results. Cook carrots until completely tender - they should fall apart when pierced with fork. Over-cooking is better than under-cooking for smooth texture. Process in food processor with flavor enhancers (miso adds umami depth) and fat (butter provides richness and mouthfeel). Add liquid gradually - too much creates thin, watery puree while too little creates gluey texture. Pass through fine-mesh sieve to remove any remaining fibers for ultimate smoothness. The finished puree should coat a spoon but flow easily for elegant plating. Proper seasoning balance enhances natural sweetness while miso adds complexity.

Achieving the nutty depth that judges praised requires understanding brown butter stages and proper timing to prevent burning. Heat butter over medium heat, stirring constantly as it melts, foams, and begins to turn golden. Watch for color change from yellow to amber and listen for crackling sounds as water evaporates. The butter is ready when it smells nutty and toasted with brown bits (beurre noisette) visible at bottom. Remove from heat immediately - residual heat continues cooking. Cool slightly before adding other ingredients to prevent curdling. Brown butter adds complex, nutty flavor that elevates simple ingredients. Use immediately for sauces and vinaigrettes, or store refrigerated and reheat gently. The technique transforms ordinary butter into sophisticated flavor base.

Achieving the judge-praised visible layers in scallion pancakes requires proper technique and understanding of lamination principles. Start with properly hydrated dough that's pliable but not sticky - boiling water creates the right texture while oil adds workability. The key is in the rolling and folding sequence: brush each rolled circle generously with sesame oil and sprinkle evenly with chopped scallions before rolling into a tight log. Coiling the log into a spiral and then re-rolling creates the laminated structure that produces distinct, visible layers when cooked. Rest periods are crucial - they allow gluten to relax for easier rolling and help oil distribute evenly. When cooking, medium heat allows layers to puff slightly while developing golden color. The final result should show clear stratification that impressed the Top Chef judges.

Creating 'reserved seasoning' that doesn't overwhelm requires understanding how different spices contribute heat and flavor. Ground Szechuan peppercorns provide unique numbing sensation rather than burning heat - use sparingly as their effect builds over time. Cumin should be the dominant flavor, providing earthiness without excessive heat. Red chili flakes add brightness but can quickly overpower - start with less than you think you need. The key is building flavor in layers: bloom spices in hot oil to release aromatics, taste as you go, and remember that heat intensifies as dish sits. Shuai's success came from restraint - allowing each spice to contribute without any single element dominating. This responsible approach lets diners appreciate complexity while ensuring broad appeal.
Best dishes in this challenge
Top Chef ™ Destination Canada
Worst dishes in this week of
Top Chef ™ Destination Canada
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